a deep intergalactic trip...minimla tribasistic techhouse.. incl anthony collins rmx

wirklich ein tolles zweites album von herrn brocksieper.. falko zeigt uns seine melodische ader und erhält unterstützung von big bully und richard davis

extra dicke remixe von jay haze & mike monday

ever since the release of his first cassette on the renowned and legendary cologne based label entenpfuhl in 1993, jo zimmermann aka schlammpeitziger grants an international audience insights into his private cosmos. the musician, graphic artist and tireless inventor of increasingly strange song titles with a ribald as well as subtle humour has been coining a highly distinctive style for these last 15 years. on his new album he demonstrates how to combine artistic development and remaining true to oneselves style.

cut the crap, straight to the essence. lizm04 is among us, essential dancing and listening courtesy of ahmet sisman, our own private istanbul/brussels/essen connection. some pure dancefloor pleasure hidden in a-side track hiyan, multilayered, quirky luvly trippiness: one surely aiming for the boxes of djs digging the onur ozer vibe of late. the other side (why call it a b-side anyway ?) goes for a slightly deeper approach, guzzling in the vibe of a few hours later down the line in your favourite afterparty .... but hey why not just use the authors own words to sum it all up : this is surely: >dance for the moment<

now, after almost a whole year martin moeller strikes back with his second release on aspik. cool sub-heavy minimalism two tracker

with a name more suitable to a private eye than a dj duo, guy noir is coming at you at full force. born out of a cross of diverse backgrounds and disciplines, the london based duo is spicing up your current techno aesthetics by adding a pinch of house thats sprinkled with the exact touch of sleaze. guy noir is gowers and georges black box that embodies their visceral secrets ranging from their hispanic and greek musical roots to their seductive sound that works the dance floors. raised within the emerging club scene of the late 80s

in the only cameo appearance here, london s jesse rose (dubsided) puts his chunky house signature on pan-pot s >black dog<. buy one get one for free ist our offer on side a. the pots & pans edit is a bit more reduced. its the typical jesse rose dub edit style. sebo k – >hori zons< exercise one s sleepless in san juan mix exercise one tackles sebo k s >hori zons< and del iver another functional rave anthem. the remix is mainly influenced by their legendary live gig at this years mobilee sonar party at raum. they started doin this remix at exercise one s private afterhour in the mobilee appartments at paseo san juan. ewan persons comment: >berlin s two brightest rising stars clash in mobilee s new remi x project. this is an absolute monster - probably the biggest dancefloor reaction to anything i m playing at the moment<

justine electra has developed her own private form of electro indie pop. >fancy robots< is the second single from the album >soft rock< and its a sassy home spun pop song thats somewhere between the field mice and joni mitchell. the 12 inch features four mixes from broke, nouvelle vague, principal participant and jori hulkkonen

unbeirrbarer techno mit der pom pom schen knarz & industrial note. wegen solcher platten haben sich leute schon eine private nebelmaschine zugelegt

full length 8 track album ...brill 80s influenced new wave electro !!!

cool rollin us techhouse two tracker

finest deep tribalhouse by pavel and vitaliy khvaleyev !!

cool breaks 6 tracker by those two guys serving three tracks each with a lot of influences as funk jazz latin music rock to name a few !!! tracks (sb)

ultraphat harder bassheavy schranz tracks...incl ant remix!!

das ikonische belgische dj-duo 2manydjs, bestehend aus den brüder stephen und david dewaele, feiert das 20-jährige jubiläum ihres albums as heard on radio soulwax pt. 2 mit einer besonderen re-issue. 2002 erschien es ursprünglich nach einer reihe von radioshows der beiden brüder, damals vor allem bekannt als die köpfe hinter der electronic/indie-rock band soulwax. die re-issue erscheint mit dem foto von richard young auf dem cover, das ursprünglich als cover vorgesehen, aber nach rechtsstreitigkeiten mit tipp-ex verfremdet wurde.

too slow to disco neo presents a sunny compilation of smooth sunset disco - 16 exclusive tracks on cd.

highlighting the rare and exclusive cuts found in the mix, packed in a full color gatefold sleeve, featuring exclusive photography

previously unreleased material from steves private recordings, remastered from the original masters

deluxe 2 cd digipack! silver hotfoil outer and embossed print! to this day, sven vŠth represents the electronic music scene like no other dj. in the nineties he was mentor and shaman, operating from frankfurt/ germany introducing us to the world of electronic music. after this crazy, extroverted years vŠth created the cocoon family as a global platform for his and his colleagues activities. vŠth has always been for the scene baba, which means dad in hessian dialect. today he is the baba for a new generation of djs: music is not about strategizing new release information your niche potential. it does not matter if a tune is approved by the opinion makers. itÕs about what you feel personally and what you can create with the music in your work as a dj. to this day, vŠth manages to play tracks that you wouldnt expect and puts them in a context you would not expect either. like no one else he succeeds in arranging the entire electronic music cosmos

the indefinable balearic spirit - hedonistic days and wild night, the thirst of wanderlist, the growing buzz that says theres goog time in store.. incl. tracks by max essa, kay zee and more

-routes not roots- is the debut album by k-s.h.e (kami-sakunobe house explosion), a project from internationally celebrated producer, label owner and dj terre thaemlitz. k-s.h.e -routes not roots- combines terre thaemlitz notorious -fagjazz- sound with th

having co-compiled two albums, the real sound of chicago and the real sound of chicago and beyond for bbe, dj and producer mark grusane steps out of the shadows to present the real sound of mark grusane.
a highly personal selection of modern soul, disco and a little touch of boogie, these rare tracks have all been respectfully edited, chopped up or extended by mark himself. apart from the odd private vinyl pressing, or occasionally handing an edit over to close friends and djs such as fellow bbe artist sadar bahar, mark has never before made these tracks available (despite the throng of people waiting around to ask each time he finishes a set).

spacetalk is proud to reveal its most exciting release to date: a collection of long-lost recordings from forgotten californian duo morrison kincannon, rescued from the dusty tape archives of the pairÕs lead songwriter, norman morrison... with only a handful of sought-after private press 7Ó singles to their name, morrison kincannon are all but unknown outside record collecting circles. yet norman morrison and terry kincannon wrote and recorded some superb songs during the 1970s and early Ô80s, desperately hoping for the break that would see them released on vinyl. now, at last, their time has finally come.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

say what you wanna say, but you have to give strahil velchev this: the manÕs a powerhouse. recording and playing live under the kink alias, he went on to become one of finest purveyorÕs of funk in techno and house. what it is, by definition, ainÕt exactly clear. and that is the beauty of it. kinkÕs music is unifying in the best possible way. channeling the spirit and feeling of a time where it didnÕt really matter who the faces behind the music were, kink plays with the elements of genres and sub-genres as if the future of it all is still wide-open. at the same time it could be accused of retro-fetishism, as much as the pope himself is infallible. the pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started kinkÕs production work. hailing from bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from sofia, and financially it might as well have meant another galaxy. wanting to dj without having access to the tracks that spun the carousel meant that you had to create them yourselves. so, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond. from kinkÕs early productions with neville watson to his smash-hit for ovum, a cerebral album for macro, tons of remixes & tracks and his mind-bending live act, playground seems to take all that into a blender. simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of kink dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions

a good place to start. her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. she didnt belt or improvise broadly. she picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. these tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean. some of the most intense recordings she made were english-language covers or japanese rewrites of american jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. she sang slowly, as if there were weights on her. and after a while of her working and your listening, youll hear it: the way she connects intimately with her task but keeps something private for herself (new york times)

favorite recordings presents this official album reissue of the parker brothers s blue-eyed-soul/modern-soul private-press album ! produced in 1981 by george p grexa and released in a private-press version on his label crown vetch enterprises, this album is filled with memorable material from the first note to the last, mixing modern-soul, boogie, cross-over jazz and rock elements, for a result reminiscent of the westcoast music golden years, however being recorded in pittsburgh.

soul jazz records are releasing tee macs night illusion, a lost classic nigerian afro soul meets disco boogie funk album originally released in nigeria in 1980 as a private-press release of 1000 copies on the enigmatic artists own label. impossibly hard to find, the record remains practically unknown outside of nigeria.

fumiya tanaka has been regarded as one of the legendary dj/artists in techno over 20 years. he has been doing numerous projects such as his private label torema records, op.disc (co-running with yoshihiro hanno aka radiq), he run his own label called sundance and his famous party chaos (in tokyo and osaka). and through his long running career, he has been successfully expressing the possibilities of music. the long awaited full length album by fumiya tanaka.

2xcd cmpilation incl all beach summer hit

die erste ausgabe mit dem titel -sherwood at the controls vol.1: 1979-1984- prŠsentiert 14 von sherwood produzierte oder remixte tracks zwischen post-punk, mutant-disco, dub, funk und electro aus der hochphase zwischen 1979 bis 1984. klassiker und raritŠten, cd-erstveršffentlichungen und zwei komplett unveršffentlichte tracks (prince far i, voice of authority ft. congo ashanti roy). alle formate unmixed.

defected presents fcl in the house is the first essential mix album of 2015, a two cd mix of classic and contemporary house music, including cuts from larry heard, bob moses, seven davis jr. and audiojack, as well as a handful of fcl exclusives

prins thomas jumped on the mixing decks and prepared a sonic trip for endless flight records. including , theo parrish, ricardo villalobos, donato dozzy, floating points, mike huckaby, bjoern torske, dj fett burger, marcellus pittman, bee mask, surgeon, silent servant and shed.

on moving to canada from his original home of haiti, pianist and singer/songwriter henri-pierre noel brought with him much of the tropical island s influences. the kompa funk sounds of his homeland, along side contemporary north american jazz and disco, ran throughout henri s 1979 album piano, re-released by wah wah 45s in 2012, and now its time for a second helping with the re-issue of 1980s dance floor friendly one more step, both albums having been originally released on very limited private presses and since become holy grails of the back music scene.

vidis hat sich nie als ein erfinder oder ein pionier gesehen. einige sagen, das rad neu zu erfinden sei keine option, aber was, wenn man etwas nimmt, das bereits existiert, und fuegt es zu einer neuen richtung, qualitaet und dimension zusammen? also hier ist vidis heute - ein dj, produzent, promoter, radiomoderator, labelgrŸnder, kuenstler agentur-manager und vieles mehr. schlicht und einfach gesagt - ein musikliebhaber der hoechsten ordnung, eine lokale institution und ein verfechter der szene in seiner stadt. der meister der neuerfindung. vidis veroeffentlicht mit silence please!, als erster litauischer dj, ein mix-album, auf einem international anerkannten label, get physical music.

when i was 18 i had those albums youd escape with. when we were making the footprintz record that was really our aim to produce an album that kids can listen and escape to.

with summer around the corner, hundreds of thousands of music lovers have begun preparing themselves for the start of the festival season. the continuously increasing presence of dance music in the charts means that this year, djs are filling more headline slots than ever and appealing to a more commercial, mainstream audience, festivals such as creamfields, global gathering, sw4, coachella, ultra music fesitval and tomorrowland are still going strong and are increasingly being seen as essential summer festivals.clubbers guide is one of ministry of sounds most iconic brands and clubbers guide to festivals 2012!

this latest release by the ever impressive trunk records consists of two jazz recordings from 1964. the first four tracks, credited to west indian trumpeter shake keane, are taken from an unreleased acetate belonging to garricks private collection. the final four tracks consist of the shake keane & michael garrick quartettes a case of jazz ep that had a limited pressing of just 99 copies. much like trunks earlier michael garrick release moonscape (which was recorded in the same year), this is indeed obscure 1960s uk jazz. the first four cuts from the untitled acetate are very much jazz of the bossa nova variety. the hastings girls choir feature on the first two tracks and their lush vocals add a cool exotic vibe. tracks 3 & 4 are taken from the flipside of the acetate and were recorded with the gordon langford orchestra. the final four tracks from the a case of jazz ep are freer flowing and keanes trumpeting accompanied by garricks piano makes for some quality early modern british jazz. moody album closer regrets is a stunner and best showcases how well they both compliment each other.

only once in a while you would enter the real magic of house music. how rare are those club nights, festivals, releases or tracks you get totally mesmerised, you feel like something changed. you want to take home that one party, the sound or a special moment to keep it forever. with moomins > the story about you< we discover exactly this kind of experience. it is an album of uniqueness and transcendence, like a meteorite touching the ground of your own private garden. sebastian genz aka moomin never intended to reinvent house music as his productions come from the heart and are related to the lovely peoples dancefloor. thats what gorgeous parties and releases of the white label around oskar offermann and the smallville imprint taught him: real house music is only possible within a soulful surrounding

at its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the cadenza sound. but mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole.